民谣吉他培训教程

1. 从教学的观点出发，理论与实践的完美结合2. 循序渐进、逐步提高3. 规范详细的技术讲解，系统易懂的理论学习4. 新老经典范例的选曲，原版改编的结合5. 歌曲演奏的详解，多种风格的编配6. 潜心钻研的经验总结，高等音乐教育的知识应用

杨 传 术：1977 年 3
月 15 日生，我国有名青
年吉他、架子鼓演奏家、
教育家、词曲作家，全
国吉他、架子鼓大赛、
考级评委；中国音乐家
协会会员，中国吉他学
会专家理事，中国打击
乐学会理事；黑龙江省
音乐家协会理事，黑龙
江省吉他学会常务副会
长，黑龙江省打击乐学
会常务秘书长；绥化市音乐家协会副主席，绥化市吉他学会会长，绥化市打击乐学会会长；
绥化学院音乐学院客座教授。
自 2002 年以来，全国出版发行《民谣吉他培训教程》、《吉他弹唱新歌精选》、《吉
他弹唱校园流行金曲》、《民谣吉他入门》、《全国高校吉他选修教程》、《指弹吉他培训
教程》、《电吉他培训教程》、《电贝司培训教程》、《流行键盘培训教程》、《尤克里里
培训教程》、《架子鼓培训教程》、《打击乐现代教程》、《流行歌曲创作教程》等著作
二十余部。
先后毕业于绥化学院音乐学院，哈尔滨师范大学音乐学院，沈阳音乐学院作曲系；创
作原创音乐作品近百首，发行个人原创音乐专辑《那个年代》、《芳华》、《爱的纪念》
等十余部；先后在绥化学院音乐厅、绥化电视台、哈尔滨师范大学音乐厅，哈尔滨之夏音
乐会现场、全国吉他大赛现场等场所举办个人作品演唱会、演出三十余场次，取得良好赞誉。
自 1998 年开始音乐教学至今，已培养学员近万人次，其中很好学员在参加全国、省市
音乐大赛屡获冠亚军名次；部分学员已考入大中专音乐院校或已从事音乐相关工作；2009
年创立“传术音乐”品牌，其相关音乐器材、音乐教学已遍布全国，为我国音乐教育事业
正在增添光彩，为广大音乐学员授业解惑。

初级部分
章 入门必读 ·····································（1）
一、认识吉他 ········································（1）
（一）吉他的起源 ································（1）
（二）吉他的种类 ································（1）
（三）常用吉他各部位名称 ····················（3）
二、持琴姿势 ········································（3）
（一）左右手标记及要求 ·······················（3）
（二）持琴准备工作 ·····························（4）
（三）古典吉他持琴姿势 ·······················（4）
（四）民谣吉他持琴姿势 ·······················（4）
三、吉他的调弦 ·····································（6）
（一）利用专门的调音器调弦（六音笛） ·······（6）
（二）根据有固定音高的乐器调弦
（口琴、钢琴、电子琴） ················（7）
（三）对比调弦法 ································（7）
四、吉他的选购 ·····································（7）
（一）中、低档吉他的选购 ····················（8）
（二）中、高档吉他的选购 ····················（8）
第二章 左右手指法练习 ···························（9）
一、右手 p指（大拇指）练习 ····················（9）
（一）发力点 ······································（9）
（二）演奏过程 ···································（9）
（三）靠弦奏法 ···································（9）
（四）勾弦奏法 ································· （10）
二、乐理知识 ······································ （10）
三、六线谱空弦练习 ····························· （11）
（一）基础练习一 ······························ （11）
（二）基础练习二 ······························ （12）
四、右手 i、m、a三指练习 ····················· （13）
（一）基础练习一 ······························ （14）
（二）基础练习二 ······························ （15）
（三）基本节奏型练习 ························ （15）
（四）i、m、a三指勾弦练习 ················· （15）
五、右手 p、i、m、a四指空弦综合练习 ······· （17）
（一）4/4拍练习 ································· （17）
（二）2/4拍练习 ································· （17）
（三）3/4拍练习 ································· （18）
（四）6/8拍练习 ································· （18）
六、右手双音、三音、四音练习 ·············· （19）
（一）概念 ······································· （19）
（二）半分解双音练习 ························ （19）
（三）柱式和弦练习 ··························· （20）
七、左手练习 ······································ （21）
（一）左手压弦、离弦练习 ·················· （21）
（二）级进练习 ································· （23）
（三）半音阶练习 ······························ （24）
八、移把、换把 ··································· （24）
（一）把位 ······································· （24）
（二）移把 ······································· （25）
（三）练习 ······································· （25）
（四）换把 ······································· （26）
（五）练习 ······································· （26）
九、节奏的特殊划分 ····························· （27）
（一）常见节奏中较复杂的节奏 ············ （27）
（二）常见节奏型的打拍 ····················· （28）
（三）特殊节奏 ································· （29）
（四）右手分解节奏综合练习 ··············· （30）
（五）左手各种节奏的综合练习 ············ （32）
第三章 C大调、a小调音阶 ····················· （36）
一、乐理知识 ······································ （36）
（一）声音的种类 ······························ （36）
（二）乐音的表示方法 ························ （36）
（三）乐音的物理性质 ························ （36）
（四）音乐的其他知识 ························ （37）
（五）音乐的三大要素 ························ （38）
二、C自然大调音阶 ······························ （39）
（一）C大调音位及音阶 ······················ （39）
（二）一、二弦各音的记忆及练习 ········· （39）
（三）一、二、三弦各音的记忆及练习 ········（40）
（四）低音四、五、六弦的练习 ············ （41）
（五）综合练习 ································· （42）
（六）乐理知识 ································· （43）
三、C大调、a小调音阶练习 ···················· （44）
（一）基本音阶 ································· （45）
目 录
2 3
（二）音阶练习 ································· （45）
（三）低把位半音阶练习 ····················· （48）
（四）乐曲练习 ································· （49）
（五）乐谱中的常见符号 ····················· （52）
第四章 C大调、a小调和弦 ····················· （53）
一、音程 ············································ （53）
（一）音程的概念 ······························ （53）
（二）音程的种类 ······························ （53）
（三）确定音程关系的两个要素 ············ （53）
（四）自然音程及变化音程 ·················· （54）
二、和弦 ············································ （54）
（一）和弦的概念 ······························ （54）
（二）三和弦的概念 ··························· （54）
（三）和弦的表示法 ··························· （54）
（四）三和弦的种类 ··························· （55）
（五）七和弦的概念 ··························· （56）
（六）七和弦的种类 ··························· （56）
三、吉他和弦图 ··································· （57）
四、左手和弦的学习及转换 ···················· （60）
（一）Ⅲ级和弦的学习及转换 ··············· （60）
（二）Ⅲ级和弦转换练习 ····················· （62）
五、右手琶音与扫弦 ····························· （63）
（一）琶音奏法 ································· （64）
（二）扫弦 ······································· （65）
（三）扫弦练习 ································· （67）
六、左手和弦 ······································ （68）
（一）Ⅵ级和弦 ································· （68）
（二）Ⅵ级和弦转换练习 ····················· （69）
（三）各种和弦混合转换综合练习 ········· （70）
（四）Ⅱ级和弦的学习及转换 ··············· （71）
（五）Ⅱ级和弦的转换练习 ·················· （73）
七、a小调歌曲练习 ······························· （74）
（一）和弦连接练习 ··························· （74）
（二）右手指法的变化练习 ·················· （75）
歌曲练习
四季歌 ············································ （76）
雪绒花 ············································ （77）
八、和弦的学习及转换 ·························· （79）
（一）Ⅰ级和弦 ································· （79）
（二）Ⅰ级和弦的连接练习 ·················· （80）
（三）Ⅳ级和弦 ································· （81）
（四）Ⅳ级和弦的连接练习 ·················· （82）
（五）Ⅴ级和弦 ································· （83）
（六）Ⅴ级和弦的连接练习 ·················· （85）
（七）C大调各级和弦的连接练习 ·········· （86）
歌曲练习
滴答 ··············································· （87）
生日歌 ············································ （88）
（八）经典和弦连接练习 ····················· （89）
歌曲练习
月亮代表我的心 ································ （91）
蓝莲花 ············································ （93）
第五章 专题讲解 ··································· （95）
一、变调夹 ········································· （95）
（一）变调夹的种类 ··························· （95）
（二）变调夹的安装 ··························· （95）
二、右手伴奏法 ··································· （96）
（一）琶音 ······································· （96）
（二）漫弹 ······································· （96）
（三）扫弦与刮弦的练习 ····················· （96）
（四）切弦 ······································· （97）
（五）扫弦、刮弦及切弦的练习 ············ （98）
（六）右手分解和弦奏法 ····················· （99）
（七）右手漫弹节奏型 ·······················（100）
歌曲练习
隐形的翅膀 ·····································（102）
当你老了 ········································（104）
三、低音连接方式 ·······························（107）
（一）重复式 ···································（107）
（二）根属式 ···································（107）
（三）音阶式 ···································（107）
歌曲练习
我想我是海 ·····································（108）
相逢是首歌 ·····································（110）
四、左手技巧——击弦 ·························（114）
（一）击弦的概念 ·····························（114）
（二）击弦的动作要领 ·······················（114）
（三）击弦练习 ································（114）
第六章 G大调、e小调音阶与和弦 ··········（116）
一、G大调、e小调音阶 ·························（116）
二、G大调、e小调音阶与音位 ················（116）
三、音阶练习 ·····································（117）
四、横按练习 ·····································（121）
（一）Ⅲ级和弦练习 ··························（121）
2 3
（二）音阶练习 ································· （45）
（三）低把位半音阶练习 ····················· （48）
（四）乐曲练习 ································· （49）
（五）乐谱中的常见符号 ····················· （52）
第四章 C大调、a小调和弦 ····················· （53）
一、音程 ············································ （53）
（一）音程的概念 ······························ （53）
（二）音程的种类 ······························ （53）
（三）确定音程关系的两个要素 ············ （53）
（四）自然音程及变化音程 ·················· （54）
二、和弦 ············································ （54）
（一）和弦的概念 ······························ （54）
（二）三和弦的概念 ··························· （54）
（三）和弦的表示法 ··························· （54）
（四）三和弦的种类 ··························· （55）
（五）七和弦的概念 ··························· （56）
（六）七和弦的种类 ··························· （56）
三、吉他和弦图 ··································· （57）
四、左手和弦的学习及转换 ···················· （60）
（一）Ⅲ级和弦的学习及转换 ··············· （60）
（二）Ⅲ级和弦转换练习 ····················· （62）
五、右手琶音与扫弦 ····························· （63）
（一）琶音奏法 ································· （64）
（二）扫弦 ······································· （65）
（三）扫弦练习 ································· （67）
六、左手和弦 ······································ （68）
（一）Ⅵ级和弦 ································· （68）
（二）Ⅵ级和弦转换练习 ····················· （69）
（三）各种和弦混合转换综合练习 ········· （70）
（四）Ⅱ级和弦的学习及转换 ··············· （71）
（五）Ⅱ级和弦的转换练习 ·················· （73）
七、a小调歌曲练习 ······························· （74）
（一）和弦连接练习 ··························· （74）
（二）右手指法的变化练习 ·················· （75）
歌曲练习
四季歌 ············································ （76）
雪绒花 ············································ （77）
八、和弦的学习及转换 ·························· （79）
（一）Ⅰ级和弦 ································· （79）
（二）Ⅰ级和弦的连接练习 ·················· （80）
（三）Ⅳ级和弦 ································· （81）
（四）Ⅳ级和弦的连接练习 ·················· （82）
（五）Ⅴ级和弦 ································· （83）
（六）Ⅴ级和弦的连接练习 ·················· （85）
（七）C大调各级和弦的连接练习 ·········· （86）
歌曲练习
滴答 ··············································· （87）
生日歌 ············································ （88）
（八）经典和弦连接练习 ····················· （89）
歌曲练习
月亮代表我的心 ································ （91）
蓝莲花 ············································ （93）
第五章 专题讲解 ··································· （95）
一、变调夹 ········································· （95）
（一）变调夹的种类 ··························· （95）
（二）变调夹的安装 ··························· （95）
二、右手伴奏法 ··································· （96）
（一）琶音 ······································· （96）
（二）漫弹 ······································· （96）
（三）扫弦与刮弦的练习 ····················· （96）
（四）切弦 ······································· （97）
（五）扫弦、刮弦及切弦的练习 ············ （98）
（六）右手分解和弦奏法 ····················· （99）
（七）右手漫弹节奏型 ·······················（100）
歌曲练习
隐形的翅膀 ·····································（102）
当你老了 ········································（104）
三、低音连接方式 ·······························（107）
（一）重复式 ···································（107）
（二）根属式 ···································（107）
（三）音阶式 ···································（107）
歌曲练习
我想我是海 ·····································（108）
相逢是首歌 ·····································（110）
四、左手技巧——击弦 ·························（114）
（一）击弦的概念 ·····························（114）
（二）击弦的动作要领 ·······················（114）
（三）击弦练习 ································（114）
第六章 G大调、e小调音阶与和弦 ··········（116）
一、G大调、e小调音阶 ·························（116）
二、G大调、e小调音阶与音位 ················（116）
三、音阶练习 ·····································（117）
四、横按练习 ·····································（121）
（一）Ⅲ级和弦练习 ··························（121）
2 3
（二）Bm和弦的练习 ·························（122）
（三）G大调、e小调经典和弦进行练习 ··（124）
歌曲练习
有没有人告诉你 ·······························（126）
匆匆那年 ········································（129）
五、左手技巧——勾弦 ·························（132）
（一）勾弦 ······································（132）
（二）勾弦的动作要领 ·······················（132）
（三）勾弦练习 ································（132）
（四）击弦勾弦综合练习 ····················（133）
歌曲练习
青春 ··············································（134）
逆流成河 ········································（136）
六、左手技巧——揉弦 ·························（138）
（一）揉弦的种类 ·····························（138）
（二）揉弦的使用时机 ·······················（138）
（三）揉弦练习 ································（139）
歌曲练习
南山南 ···········································（140）
爱的供养 ········································（144）
七、左手技巧——滑弦 ·························（146）
（一）滑弦的概念 ·····························（146）
（二）滑弦的动作要领 ·······················（146）
（三）演奏过程 ································（146）
（四）滑弦练习 ································（146）
歌曲练习
父亲 ··············································（148）
栀子花开 ········································（151）
第七章 和弦编配 ··································（153）
一、确定歌曲的调式 ····························（153）
（一）大调的确定方法 ·······················（153）
（二）小调的确定方法 ·······················（153）
二、确定歌曲的调性 ····························（153）
三、确定旋律中的主干音 ······················（153）
四、配置和弦 ·····································（154）
（一）和弦音与主干音相对应的配置方法（154）
（二）和弦之间纵向的科学连接 ···········（156）
（三）节奏型的选择 ··························（157）
（四）前奏、间奏、尾奏的处理 ···········（157）
（五）终止进行 ································（157）
五、强化练习 ·····································（158）
（一）扫弦级进 ································（158）
（二）分解级进 ································（158）
初级歌曲练习 ·····································（159）
萍聚 ··············································（159）
至少还有你 ·····································（161）
飞翔 ··············································（164）
老男孩 ···········································（167）
情非得已 ········································（170）
活着 ··············································（174）
真的爱你 ········································（178）
李白 ··············································（182）
中级部分
章 横按 ········································（187）
一、横按指型（Ⅰ） ····························（187）
二、横按练习 ·····································（187）
三、横按指型（Ⅱ） ····························（188）
四、练习 ···········································（188）
五、和弦名称的推算 ····························（189）
第二章 D大调、b小调音阶及和弦 ··········（190）
一、D大调、b小调的音阶 ·····················（190）
二、音阶练习 ·····································（190）
（一）D大调练习 ······························（190）
（二）b小调练习 ·······························（190）
三、D大调、b小调功能和弦 ··················（191）
四、和弦连接练习 ·······························（191）
歌曲练习
同桌的你 ········································（193）
好朋友 ···········································（197）
鸿雁 ··············································（200）
第三章 A大调、 f小调音阶及和弦 ·········（201）
一、A大调、 f小调的音阶 ····················（201）
二、音阶练习 ·····································（201）
（一）A大调练习 ······························（201）
（二） f小调练习 ······························（201）
（三）用本调音阶练习学过的歌曲 ········（201）
三、A大调、 f小调的功能和弦 ···············（202）
四、和弦连接练习 ·······························（202）
五、Pick练习 ······································（203）
（一）拨片 ······································（203）
（二）拨片的种类 ·····························（203）
（三）常用拨片的形状 ·······················（203）
4 5
（四）拨片的持法 ·····························（203）
（五）拨片的演奏方法 ·······················（203）
（六）拨片运动的方向 ·······················（204）
（七）拨片练习 ································（204）
（八）扫弦练习 ································（205）
歌曲练习
大海 ··············································（207）
小幸运 ···········································（209）
第四章 弹唱中节奏的变化 ·····················（212）
一、切分节奏型 ··································（212）
二、和弦外音的加入 ····························（212）
三、较高密度的节奏型 ·························（212）
四、低音的自由变化 ····························（212）
歌曲练习
春暖阳光 ········································（213）
爱的纪念 ········································（215）
美丽季节 ········································（217）
远方 ··············································（219）
第五章 E大调、 c小调音阶及和弦 ·········（222）
一、音位、音阶图 ·······························（222）
二、音阶练习 ·····································（222）
（一）E大调音阶练习 ·························（222）
（二） c小调音阶练习 ························（222）
三、E大调、 c小调和弦 ·······················（223）
（一）E大调、 c小调功能和弦 ·············（223）
（二）经典连接练习 ··························（223）
歌曲练习
光辉岁月 ········································（225）
单身情歌 ········································（229）
第六章 F大调、d小调音音阶及和弦 ·······（232）
一、音位、音阶图 ·······························（232）
二、音阶练习 ·····································（232）
（一）F大调音阶练习 ·························（232）
（二）d小调音阶练习 ·························（232）
三、F大调、d小调和弦 ·························（233）
（一）F大调、d小调功能和弦 ··············（233）
（二）经典连接练习 ··························（233）
歌曲练习
我泪陪我入梦 ··································（235）
心的方向 ········································（237）
第七章 吉他和弦推算及即兴和弦伴奏 ····（241）
一、吉他和弦推算 ·······························（241）
（一）前提 ······································（241）
（二）横向推算 ································（241）
（三）纵向推算 ································（242）
二、即兴和弦伴奏 ·······························（243）
（一）即兴伴奏指型“F”型 ················（243）
（二）即兴伴奏指型“B”型 ···············（244）
（三）即兴伴奏指型“C”型 ···············（244）
（四）即兴伴奏指型“G”型 ···············（244）
歌曲练习
大地 ··············································（245）
花房姑娘 ········································（248）
第八章 华彩的演奏（一） ·····················（252）
一、Mi指型 ········································（252）
二、Mi指型练习 ··································（252）
三、Sol指型 ·······································（253）
四、Sol指型练习 ·································（254）
五、La指型 ········································（254）
六、La指型练习 ··································（255）
七、Si指型 ·········································（256）
八、Si指型练习 ···································（257）
九、Re指型 ········································（258）
十、Re指型练习 ··································（258）
歌曲练习
爱就爱了 ········································（260）
不再犹豫 ········································（264）
第九章 吉他演奏常用技巧 ·····················（267）
一、右手拍弦 ·····································（267）
（一）拍弦的种类 ·····························（267）
（二）拍弦的标记 ·····························（267）
（三）拍弦的要领 ·····························（267）
（四）拍弦练习 ································（268）
二、闷音 ···········································（268）
（一）手形位置 ································（268）
（二）演奏要领 ································（268）
（三）演奏标记 ································（268）
（四）闷音练习 ································（269）
三、左手切音 ·····································（269）
（一）切音范围 ································（269）
（二）动作要领 ································（269）
（三）动作过程 ································（269）
（四）左手切音练习 ··························（269）
四、拨片与指弹 ··································（270）
4 5
（一）基本手形 ································（270）
（二）动作要领 ································（270）
（三）技术练习 ································（270）
歌曲练习
彩虹 ··············································（271）
舍不得 ···········································（275）
第十章 机能和弦的学习及应用 ··············（278）
一、转调和弦 ·····································（278）
二、代用和弦 ·····································（278）
三、转化和弦 ·····································（278）
四、色彩和弦 ·····································（279）
五、挂留和弦 ·····································（279）
六、增三和弦 ·····································（279）
七、减三和弦 ·····································（279）
八、变化和弦 ·····································（279）
中级歌曲练习 ·····································（280）
那个年代 ········································（280）
你怎么舍得我难过 ····························（283）
大约在冬季 ·····································（285）
不错部分
章 双吉他演奏及编配 ·····················（287）
一、主音、节奏式 ·······························（287）
二、节奏互应式 ··································（288）
（一）分解漫弹式 ·····························（288）
（二）双分解式 ································（289）
（三）双漫弹式 ································（290）
三、双主音式 ·····································（291）
四、多重变化式 ··································（292）
歌曲练习
睡在我上铺的兄弟 ····························（293）
外面的世界 ·····································（297）
第二章 双音 ········································（301）
一、双音独奏的方式 ····························（301）
（一）用两把吉他同时演奏 ·················（301）
（二）用单把吉他演奏 ·······················（301）
二、双音音阶 ·····································（301）
（一）纯四度双音音阶 ·······················（301）
（二）大调双音音阶 ··························（301）
（三）小调双音音阶 ··························（302）
三、双音右手指法 ·······························（302）
歌曲练习
火柴天堂 ········································（303）
情非得已 ········································（308）
第三章 不错技巧 ··································（314）
一、推弦 ···········································（314）
（一）推弦的手形 ·····························（314）
（二）推弦范围的标记 ·······················（314）
（三）基础练习 ································（315）
（四）推弦效果 ································（316）
二、哑音 ···········································（316）
三、拨片震音 ·····································（316）
（一）动作要领 ································（316）
（二）表示方法 ································（316）
（三）震音练习 ································（316）
四、点弦 ···········································（317）
（一）动作要领 ································（317）
（二）基础练习 ································（317）
五、泛音 ···········································（318）
（一）自然泛音 ································（318）
（二）基础练习 ································（318）
（三）人工泛音 ································（318）
（四）人工泛音的右手要领 ·················（318）
（五）人工泛音练习 ··························（319）
六、泛音调弦 ·····································（319）
歌曲练习
真的爱你 ········································（320）
光辉岁月 ········································（327）
第四章 扫弦 solo及分解复调··················（331）
一、扫弦 solo ·····································（331）
（一）编写扫弦 solo的要求 ··················（331）
（二）经典范例 ································（331）
二、分解复调 ·····································（332）
（一）编写及演奏的要求 ····················（332）
（二）基础练习 ································（332）
歌曲练习
中学时代 ········································（333）
童年 ··············································（336）
第五章 华彩的演奏（二） ·····················（338）
一、快速音符 ·····································（338）
（一）拨片快速练习 ··························（338）
（二）音阶实发练习 ··························（338）
（三）快速音阶练习 ··························（339）
6 6
（四）装饰音练习 ·····························（339）
二、连续切分 ·····································（340）
三、各种技巧的熟练运用 ······················（341）
四、演奏效果 ·····································（342）
歌曲练习
挪威的森林 ·····································（343）
灰色轨迹 ········································（349）
第六章 华彩的创作 ······························（354）
一、和声对位的创作 ····························（354）
二、离调的创作 ··································（354）
三、华彩的创作风格 ····························（354）
（一）纯净大小调风格 ·······················（354）
（二）临时变化音 ·····························（354）
（三）五声音阶 ································（354）
（四）布鲁斯音阶 ·····························（355）
四、标准华彩的创作要求 ······················（355）
（一）音区 ······································（355）
（二）节奏 ······································（355）
（三）临时离调 ································（356）
（四）曲内转调 ································（356）
（五）曲外转调 ································（356）
歌曲练习
海阔天空 ········································（357）
旧日足迹 ········································（362）
第七章 扒带 ········································（369）
一、扒带必备的工具 ····························（369）
（一）吉他 ······································（369）
（二）录音机 ···································（369）
（三）变调夹 ···································（369）
（四）标准音 ···································（369）
二、扒带过程及方法 ····························（369）
（一）确定调性 ································（369）
（二）选择调性 ································（369）
（三）低音 ······································（370）
（四）初步确立和弦 ··························（370）
（五）原版和弦的确立 ·······················（370）
（六）原版节奏的确立 ·······················（370）
三、修饰、改编 ··································（370）
（一）低音 ······································（370）
（二）和弦音 ···································（370）
（三）节奏型 ···································（370）
（四）前奏、间奏、尾奏 ····················（370）
歌曲练习
冬雨 ··············································（371）
Amani ············································（374）
第八章 不错编配 ··································（377）
一、必备条件 ·····································（377）
（一）技术 ······································（377）
（二）理论 ······································（377）
二、弹唱伴奏方法 ·······························（377）
（一）和弦的音区变化 ·······················（377）
（二）和弦技巧的加入 ·······················（377）
（三）机能和弦的恰当使用 ·················（377）
（四）低音的变化 ·····························（377）
（五）复调旋律 ································（377）
三、前奏、间奏、尾奏的编配 ················（378）
（一）华彩式（双吉他） ····················（378）
（二）独奏式 ···································（378）
不错歌曲练习 ·····································（379）
在水一方 ········································（379）
阳光总在风雨后 ·······························（382）
温暖 ··············································（384）
伤痛 ··············································（386）
我要你 ···········································（388）
家乡 ··············································（390）